Three Acts of the Quiet Dutchman

A Bill Written in Grass

The summer of 1990 left Milan a bill, and the bill was written in grass. The world came to Italy that year for its World Cup, and San Siro, the concrete cathedral in the city's north-west, was one of the stages it walked across — admiring everything, trampling everything, the way a wedding party walks through a garden. By November the club could not stage a European tie on its own field. There is the year in one image: the Milan of Silvio Berlusconi and Arrigo Sacchi, champions of Europe, collecting crowns in Vienna, Bologna and Tokyo while at home, by margins thin as carta da musica, the scudetto and the Coppa Italia went to other tables.

To understand the year you must first understand the machine. Berlusconi had owned the club since 1986 and ran it as the sporting face of the Fininvest empire swelling across the city: television, money, modernity, a Milan lit like a studio and dressed like a showroom. Sacchi, his chosen prophet of pressing, had built a side that hunted the ball everywhere at once, patient and total, in which space was rationed like butter in wartime and the opponent was invited to suffocate politely. Its spine was Italian and its poetry was Dutch: Franco Baresi wore the armband and governed the last line with the young Paolo Maldini beside him, while ahead of them moved the three Dutchmen — Ruud Gullit the charisma, Marco van Basten the genius, and Frank Rijkaard, the quiet third, of whom this chronicle will have much to say, because 1990 was, above all, his year of extremes.

Vienna, and a Thing Rarer Than Winning

On 23 May, in the Praterstadion in Vienna, Milan defended the European Cup — and one must pause on the verb, because by then defending the thing had become rarer than winning it. Sacchi sent out a team that is recited today like a litany: Galli in goal; Tassotti, Costacurta, Baresi and Maldini across the back; Colombo, Ancelotti, Rijkaard and Evani through the middle; Gullit and van Basten ahead. Opposite them stood Benfica of Lisbon; around them, fifty-eight thousand souls; and among them, with the whistle, an Austrian referee named Helmut Kohl — no relation whatever to the chancellor over the border, though one imagines the teleprinters of Europe checking twice before printing it.

The final turned in the 68th minute, and it turned on the quiet Dutchman. Rijkaard arrived as he always arrived — punctually, without ceremony, like a man catching a tram he has caught a thousand times — and drove home the only goal of the night. One to nil; the Cup retained; Milan champions of Europe twice over, back to back. Let that be weighed properly, because time has weighed it for us: no club would successfully defend the European Cup again until Real Madrid managed it in 2017 — a full generation of pretenders failing at what Sacchi's men made look like housekeeping.

The Scudetto That Stayed in Naples

And yet at home the same team could not quite close its fist around the league. The 1989-90 championship reads like an indictment drawn up by a very polite prosecutor: thirty-four matches, twenty-two won, five drawn, seven lost; fifty-six scored against a mere twenty-seven conceded; forty-nine points to Napoli's fifty-one — which, in the old currency of two points for a win, left Milan a single victory short of the scudetto. At San Siro they were close to invincible, thirteen wins against two draws and two defeats, before average congregations of some fifty-nine thousand; and van Basten, the Swan, carried the scoring the way a porter carries the household's luggage — nineteen goals in the league, twenty-five in all competitions — without ever appearing to sweat through his shirt.

Twice in February the team gave displays that should, by any decent reckoning, have settled the argument. On the 11th, Napoli themselves came to San Siro and were dismantled 3-0; a fortnight later, on the 25th, Roma were fed to the same machine and lost 4-0. Those were afternoons when Sacchi's football looked less like sport than like proof — a theorem demonstrated at match speed, every pass a line of the working. But a championship is not awarded for elegance, and when the last Sunday had been counted Napoli stood above them, and all the beauty in Lombardy could not purchase the difference.

The Coppa Italia rubbed salt into the same wound. Milan had eliminated Napoli in the semi-final with a performance of cold authority — goalless at home, then 3-1 in Naples — only to meet Juventus in the two-legged final and lose it by the narrowest of readings: nothing to nothing at San Siro, then a single goal conceded away, the decisive leg falling on 25 April, and a second silver medal to hang beside the first. A club that could conquer Vienna could not, in its own country, lift a domestic pot; 1990 dealt in such ironies wholesale, and it was not yet June.

The Summer of Borrowed Grass

Then the world arrived, and borrowed the house. From 8 June to 8 July, Italy staged its World Cup, and San Siro was one of its stages — the invoice for that hospitality would be presented in the autumn, in turf. Milan lent the hosts a spine, as was only proper: Baresi, who would be named in the tournament's all-star team, together with Maldini, Donadoni and Ancelotti, all wearing the shirt of a nation that had quietly convinced itself the cup could not possibly leave the peninsula.

It left all the same. Italy's summer died in Naples on 3 July, a semi-final against Argentina that finished 1-1 after extra time and went to penalties, where Sergio Goycochea, Argentina's improbable saint of a goalkeeper, threw himself the right way twice: first to deny Roberto Donadoni — Milan's own Donadoni, of all men — and then Aldo Serena, and the party was over for the hosts who had thrown it. Four days later, in Bari, Italy beat England 2-1 for third place: a bronze consolation, eaten cold. And the Dutch — the nation of Milan's own trio — had already gone home, beaten 2-1 by West Germany in the round of 16 on 24 June, on Milan's own San Siro grass, in a match that would brand the year of the quiet Dutchman with its one indelible stain.

One footballer watched that tournament from outside the fence, and the reason had happened at the Maksimir stadium in Zagreb on 13 May, ten days before Vienna, in the riot that consumed the match between Dinamo Zagreb and Red Star Belgrade: Zvonimir Boban — a name this chronicle is keeping for a later chapter — launching himself feet-first at a Yugoslav policeman who was beating a Dinamo supporter. His own family were in the stands that afternoon, his father Marinko among them. The image travelled the planet in a night and hardened into legend — one motion of a leg that made him an icon of Croatian resistance — and it is the legend Boban has spent the decades since declining. 'Policajac je tukao mladog dečka i ja to nisam mogao gledati' — 'the officer was beating a young man and I couldn't watch' — he said on the thirtieth anniversary, calling it a move for freedom against a regime rather than a blow struck against Serbs, and refusing the word hero outright: the heroes, he said, were the men who later died making Croatia. The policeman, Refik Ahmetović, who would retire to Sarajevo, has given his own version — that colleagues urged him to shoot, and that his baton came down before Boban's boot went up.

The tidy version does not survive contact with the calendar, as the Croatian columnist Tomislav Klauški has demonstrated: Boban was suspended for nine months, later reduced to four, and the price was Italia '90 itself. Nor did the kick end his Yugoslav career: he turned out for the country's youth side in Simferopol on 17 October, the same day Croatia's new national team played its first match. 'S ponosom se sjećam tog događaja,' he has said. 'Reagiralo se ljudski na jednu nepravdu' — 'I remember that event with pride. It was a human reaction to an injustice.' Two young men in football shirts committed acts of violence before the cameras of the world that year; the world sanctified one and disgraced the other, and the difference had nothing to do with football.

Saint Frank, Sinner Frank

Frank Rijkaard was the third of the three, and third in everything the newspapers cared about: less charismatic than Gullit, less obviously touched by heaven than van Basten, he was the one who kept the machine's clocks running — and in 1990 he authored both the year's most sublime moments and its most infamous, sometimes on the same squares of turf. In May he had won the European Cup with his own foot in Vienna. In June, back at San Siro in the orange of the Netherlands against West Germany, he did the thing for which the whole world briefly knew his name: twice he spat into Rudi Völler's hair, and after a tangle between the two men the referee sent them both off, and the Dutch lost 2-1 and packed for home. It was the age of the replay, and the replay was merciless: two seconds of a man's life, slowed and repeated until they weighed more than a career.

It goes into the record without a sneer, because the story does not end there. It ends, first, in Tokyo in December, with two goals and the man-of-the-match honours in a world final; and it ends, properly, years later, with Rijkaard and Völler publicly reconciled and laughing together about the whole disgraceful business — which is the most footballing ending imaginable. Football is played by men and not by marble, and the same man who shamed an afternoon in June had crowned an evening in May and would crown another before the year was out. One loves them anyway, the way one loves a brother who once ruined Christmas: without forgetting, and without ceasing.

Autumn Housekeeping, and a Night in Bologna

The summer's housekeeping carried its own small poignancy. Giovanni Galli, the goalkeeper who had kept the clean sheet in Vienna in May, was sold — and sold, of all destinations, to Napoli, the club that had just lifted the scudetto from Milan's table. Into his place came Sebastiano Rossi, a keeper who would in time make the number one shirt his own, and with him arrived Angelo Carbone, Giandomenico Costi, Roberto Lorenzini and Stefano Nava, while Stefano Borgonovo and Christian Lantignotti went out through the same door as Galli. Machines are maintained in August so that they may purr in April; Sacchi, entering what would prove his final full campaign at the wheel, tightened his bolts and resumed.

In October the European Super Cup brought Sampdoria, and with it a lesson in consequences. The first leg, at the Marassi in Genoa on 10 October, finished 1-1 — Mykhaylychenko putting the Genoese hosts ahead on 31 minutes, Evani replying on 39 — before a modest gathering of 19,724. The return, on 29 November, could not be played at San Siro at all: the World Cup had left the famous pitch a ruin, and so Milan staged their own home leg in exile at the Dall'Ara in Bologna, where 20,942 watched Gullit strike just before the interval, on 44 minutes, and Rijkaard — him again, always him, that year — seal matters on 76. Two-nil on the night, 3-1 on aggregate: a second European title of the calendar year, won on borrowed grass because Milan's own had been loved to death by the summer.

The new championship, meanwhile, opened in September with the sound of a machine resuming. Genoa were beaten 1-0 on the 9th, Cesena taken by the same score away, Fiorentina seen off 2-1, a point gathered at Lazio, Cagliari dispatched 2-0, and a 1-1 at Napoli on 21 October that read like an armistice between the season's old belligerents. The first defeat did not arrive until 28 October — Sampdoria again, one to nil at San Siro, that autumn's recurring toothache — and after two goals without reply at Atalanta, the derby of 18 November went to Inter by a single goal: a cold Sunday, best passed over quickly, as one passes an open window in January. Yet the year closed in credit — a draw at Torino, Lecce edged 1-0, a goalless afternoon in Rome — and on 30 December, in the final act, Juventus, the cup-thieves of April, were beaten 2-0 at San Siro. The spring would eventually rank Milan second again, on 46 points; but that particular heartache belongs to 1991's chapter, and we shall leave it waiting at the door.

Tokyo, 9 December

There remained the world. On 9 December, at the National Stadium in Tokyo, before 60,228 spectators and the Brazilian referee José Roberto Wright, Milan met Olimpia of Paraguay — champions of the Copa Libertadores — for the Intercontinental Cup, and won it 3-0 with the serenity of men performing a piece they had rehearsed to death. And who did the scoring? The quiet Dutchman, naturally: Rijkaard on 43 minutes, Rijkaard again on 65, with young Giovanni Stroppa slotting the middle one on 62 — a boy's goal set among the monuments. Rijkaard took the man-of-the-match award on the far side of the planet from both Vienna and that June afternoon, completing an arc no novelist would dare to invent: the winning goal of Europe in May, the shame of the world in June, the crown of the world in December.

1990 declines to be summed up, so let it stand as it is. It retained the European Cup, a feat no club would repeat for twenty-seven years; it took the Super Cup from Sampdoria; it carried the world title home from Tokyo; and it left behind a starting eleven supporters still recite from Galli to van Basten like a grace before dinner. It also lost a scudetto by a single win, a Coppa by a single goal, and a home pitch, carried off in pieces by the world's great party. Milan finished the year the dominant club in football, its floodlit ambition the exact mirror of the television empire its owner was building across the city — and the picture the year leaves behind is neither Vienna nor Tokyo but the Dall'Ara in late November, twenty thousand strangers watching the champions of Europe win a European trophy in somebody else's house. Champions of Europe, champions of the world, and homeless in November: 1990 gave Milan everything except the ground it stood on.